By the time the collapse of the Serenissima Repubblica came in 1797, Venice was already well on its way to living off tourism alone. A best-selling author slowly solves the real-life mystery of a 1996 fire that destroyed Venice's La Fenice Opera House. It addresses social issues, environmental issues and cultural issues, all within the context of Venice being the most heavily touristed city in the world. But perhaps most importantly, we have come to realize that it is image, rather than art, that has long been Venice's primary attraction, whether for the Grand Tourists of two centuries ago or for the mass tourists of today. Venice The Tourist Maze Davis Robert C Marvin Garry R can be very useful guide, and venice the tourist maze davis robert c marvin garry r play an important role in your products. Something like thirteen to fourteen million outsiders currently go there every year, overwhelming a town whose resident population at the start of the twenty-first century was barely sixty-five thousand. Based on the Henry James novel, this romantic drama is a tale of desire that takes full advantage of its Venetian locale.
Marvin is Reader in Social Anthropology at the University of Surrey Roehampton. Inevitably, in the course of writing this work we have had to grapple with one question that for more than a century has uniquely shadowed this Most Romantic of Cities: is Venice dying? Before long, Venetians were beginning to tailor their own holidays, often of ancient vintage, just to suit the expectations and desires of these new visitors. The authors may unwittingly encourage even more tourists to go to Venice for the most post-modern of reasons: to observe tourists observing the most touristed city in the world. At some point even we, with all our enthusiasm for this project, had to admit that this book was getting too long. Venice is both threatening and beautiful when a couple Donald Sutherland and Julie Christie — grieving the death of their daughter — encounter what may be her ghost. That, plus a certain refusal to give in to the tyranny of our own self-imposed symmetry, made it easier to drop a third history chapter, where we had originally planned to explore the artistic and aesthetic attractions of Venice for visitors in the eighteenth and nineteenth centuries. The canvasses of Canaletto and reels of celluloid can't sell it short.
Being here is better than the dream. From these earliest packaged tours to the industrial tourism of the present, visitors have come to this lagoon city looking for Romance with a capital R. Giving equal consideration to those who tour Venice and those who live there, their book affords rare insight into just what it is that the touring and the toured see, experience, and elicit from each other. The authors deftly interweave historical archival materials with good solid ethnographic research to yield a book that transforms one's understanding of the city and the interactions between residents, tourists, urban street-sellers etc. This is a fine book for helping you see Venice from the inside out. Although this history of Venice as a tourist destination was written by two academics and published by the University of California Press, it is anything but dry.
Most residents, however, go on living there in spite of, rather than because of, the massive tourist presence. They are consuming—not so much Venetian culture, but rather the images of that culture, and consuming them, for the most part, as quickly as possible over 80 percent of visitors stay less than a day. Giving equal consideration to those who tour Venice and those who live there, their book affords rare insight into just what it is that the touring and the toured see, experience, and elicit from each other. Davis and Marvin draw on everything from Baedekers to the local papers and contemporary interviews to examine the effect of this flood of people on urban experience and the delicate fabric of the city, depicting at best an aestheticized museum city, at worst a degraded theme park. Despite the myriad representations of Venice, despite the libraries of books written about it, the city still shimmers—broken, unfixed, and probably unfixable—before all who those seek to experience it.
In effect, the authors argue, Venice survives as a surreal image of itself. A would-be writer comes to Verona and discovers a 50-year-old letter left at a statue of Juliet — sparking several unexpected romances. Conducting readers from the beginnings of Venetian tourism in the late Middle Ages to its emergence as a form of mass entertainment in our time, the authors explore what happens when today's 'industrial tourism' collides with an ancient and ever-more-fragile culture. It addresses social issues, environmental issues and cultural issues, all within the context of Venice being the most heavily touristed city in the world. The development and the interplay between these two parallel realms—one of determined fantasy, the other stuck in a far too real world of overcrowding, decay, and discomfort—are the focus of this book. Tourism is also the life and life's blood of Venice, Italy, and more than once, while sitting in Piazza San Marco on an August afternoon, we have felt like the better part of those 664 million travelers were passing right before our eyes. Venice is viewed from a new perspective in this engaging book, which offers a heady, one-city tour of tourism itself.
Venice, The Tourist Maze is engrossing, amusing, fascinating, and troubling. Today's Venice is still endlessly created and recreated in a feedback loop of tourist desire and demand, and even if the poetry has by now mostly given way to commercial tropes of gondoliers and Carnival masks, the city still satisfies with remarkable success the needs of those who visit. With visitors coming from every corner of the globe Venice might claim to be one of the great multiethnic cities of the postmodern world. For others, it will come while musing on the vivid contradictions revealing that what is good for Venice in the short term—revenue from tourism—is killing the city in the ever nearer long term. This readable introduction to the ecology of Venice's lagoon asks if Venice can survive in the 21st century.
World seminar, I liked it so much. Much of this was a choice of the Venetians themselves, who during the 1800s were exploited and then abandoned by a series of outsider governments—first Paris, then Vienna, then Rome—cut off by changing patterns of trade from their traditional sources of wealth, and left with little to fall back on beyond their own proven ability to hawk themselves and their city to foreigners. Historically, we know that Venice repeatedly has been declared comatose, if not quite deceased: on the ropes, breathing its last, sliding from view beneath the waves. Marvin Author: Garry Marvin Author: Robert C Davis Author: Robert C. Venice may well be, for its size and population, the most touristed city on the planet, but even if it falls somewhat short of this dubious honor in terms of hard numbers, it still seems to enjoy a special status, in the mind of many, as the epitome of the tourist experience.
Giving equal consideration to those who tour Venice and those who live there, their book affords rare insight into just what it is that the touring and the toured see, experience, and elicit from each other. The outlook for Venice as a living city seems bleak, but the story is fascinating. Visitors from England and France, particularly, began to turn their gimlet eyes on the whole range of products and pomp that had once made the city world famous, and realized that it no longer measured up to what was back home in London or Paris. Becoming the quintessential romantic city did not come naturally to Venice. In his 18th-century collection of writings, Goethe describes his travels to Rome, Venice, Sicily, and Naples. Venice is viewed from a new perspective in this engaging book, which offers a heady, one-city tour of tourism itself. He is the coeditor of The Jews of Early Modern Venice 2001 and Gender and Society in Renaissance Italy 1998 and the author of Christian Slaves, Muslim Masters 2003 , The War of the Fists 1994 , and Shipbuilders of the Venetian Arsenal 1991.
For some, half the stimulation comes with the dismantling of a worn-out legend: Venice, the Most Romantic City in the World. Until 1797, when it ceased to exist as the Serenissima Repubblica, this was a city that existed primarily for practical purposes, not touristic—much less romantic—ones. Somehow Venice keeps going, and every so often some significant improvements are seemingly made, interventions that may hold back the apparently inevitable, final collapse for a few more years. His books include Bullfight 1994 , Coping with Spain 1990 , and, with Bob Mullan, Zoo Culture 1998. As such, we might say, it was perhaps the first postmodern city, selling no product other than itself and its multiple images to the tens or even hundreds of thousands of free-spending foreigners who came there annually. How this image has been both created and consumed has thus seemed the logical and necessary theme for this book.
In the end, though, Venice, the Tourist Maze was inspired by our own fascination with what is still a very special place—however it is constructed, or deconstructed. Each section has been divided in turn into chapters that explore what we take to be the scapes' most salient areas of contact and conflict, between the tourist and the localist vision of the city. Yet despite their scorn these foreigners kept coming, right into the 1790s, lured largely by those things that Venice offered that were relatively scarce elsewhere in Europe—a particular sense of style, above all, but also vice: gambling, prostitution, and perversion of whatever sort visitors required. This is a fascinating and well-written book. The outlook for Venice as a living city seems bleak, but the story is fascinating.