Philosophizing rock performance hollingshaus wade. Philosophizing Rock Performance by Wade Hollingshaus · OverDrive (Rakuten OverDrive): eBooks, audiobooks and videos for libraries 2019-02-05

Philosophizing rock performance hollingshaus wade Rating: 6,2/10 351 reviews

Reading : Philosophizing Rock Performance Hollingshaus Wade

philosophizing rock performance hollingshaus wade

Those who would like to read interesting, detailed, and revealing takes on the careers of three of the most important names in rock-and-roll history will not be disappointed by this book. In Philosophizing Rock Performance, Hollingshaus draws on the work of these latter Continental thinkers to explore how we might otherwise think about Dylan, Hendrix, and Bowie. The E-mail message field is required. His research has been published in Theatre Topics , Scandinavian Studies , and Journal of Finnish Studies. Part Two considers authenticity in performance, musical traditions, and recordings. Some pieces are indicated via exemplars, but many are specified notationally.

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Philosophizing rock performace : Dylan, Hendrix, Bowie (eBook, 2013) [cleanpowerfinance.com]

philosophizing rock performance hollingshaus wade

A performance should follow the composer's instructions. . Pieces vary in the number and kind of their constitutive properties. This updated edition of Performance Anthology offers an extraordinary documentation of California performance art from 1970 through 1988. Of what elements are they comprised? In brief, there is always some kind of logic underwriting these historiographies, drawing boundaries through and around our thinking. In Philosophizing Rock Performance: Dylan, Hendrix, Bowie , Wade Hollingshaus capitalizes on this notion by embracing a set of historiographical logics that re-imagine these three artists. Can recordings substitute faithfully for live performances? To be of a given work, a performance must match its contents by following instructions traceable to its creation.

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Philosophizing rock performace : Dylan, Hendrix, Bowie (eBook, 2013) [cleanpowerfinance.com]

philosophizing rock performance hollingshaus wade

Philosophizing Rock Performance succeeds on a number of levels. Kimball believes that the counterculture transformed high culture as well as our everyday life in terms of attitudes toward self and country, sex and drugs, and manners and morality. Noting how Dylan, Hendrix, and Bowie first established their reputations amid the anti-establishment sentiments that emerged in Western counties during the 1960s and early 1970s, he connects them with the concurrent formative phase of Continental philosophy in the work of Giorgio Agamben, Jean-François Lyotard, Michel de Certeau, Jacques Rancière, Guy Debord, and Michel Foucault. Wade Hollingshaus recasts what rock-and-roll writing from a revolutionary stance can be. In Philosophizing Rock Performance: Dylan, Hendrix, Bowie , Wade Hollingshaus capitalizes on this notion by embracing a set of historiographical logics that re-imagine these three artists.

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Hollingshaus, Wade

philosophizing rock performance hollingshaus wade

Those looking for a new paradigm can find encouragement here as well. This comprehensive and original analysis of musical ontology discusses many kinds of music, and applies its conclusions to issues as diverse as the authentic performance movement, the cultural integrity of ethnic music, and the implications of the dominance of recorded over live music. Can ethnic music influenced by foreign sources and presented to tourists genuinely reflect the culture's musical and wider values? Scores must be interpreted in light of notational conventions and performance practices they assume. Departures from the ideal are tolerable, but faithfulness is central to the enterprise of work performance, not merely an interpretative option. Name: Wade Hollingshaus Title: Department Chair, Associate Professor Email: wadeh byu. Part One outlines the nature of musical works, their relation to performances, and their notational specification.

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Hollingshaus, Wade

philosophizing rock performance hollingshaus wade

In Philosophizing Rock Performance, Hollingshaus draws on the work of these latter Continental thinkers to explore how we might otherwise think about Dylan, Hendrix, and Bowie. Those looking for a new paradigm can find encouragement here as well. Hollingshaus arranges his three analyses, first of Dylan, then of Hendrix, then of Bowie, by increasing levels of detail and by increasing levels of postulation. In brief, there is always some kind of logic underwriting these historiographies, drawing boundaries through and around our thinking. In Philosophizing Rock Performance: Dylan, Hendrix, Bowie, Wade Hollingshaus capitalizes on this notion by embracing a set of historiographical logics that re-imagine these three artists. Mit dem amazon-Kindle ist es aber nicht kompatibel. In Philosophizing Rock Performance, Hollingshaus draws on the work of these latter Continental thinkers to explore how we might otherwise think about Dylan, Hendrix, and Bowie.

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*PDF* Philosophizing Rock Performance

philosophizing rock performance hollingshaus wade

How are they specified by notations? Departures from the ideal are tolerable, but faithfulness is central to the enterprise of work performance, not merely an interpretative option. The perspectives Hollingshaus provides on the performers seem utterly accurate and in keeping with their personas. Noting how Dylan, Hendrix, and Bowie first established their reputations amid the anti-establishment sentiments that emerged in Western counties during the 1960s and early 1970s, he connects them with the concurrent formative phase of Continental philosophy in the work of Giorgio Agamben, Jean-François Lyotard, Michel de Certeau, Jacques Ranci. Wade Hollingshaus is assistant professor in the Theatre and Media Arts Department at Brigham Young University. Author by : Carl E. When musical cultures interact, assimilation from within differs from destruction from without.

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Reading : Philosophizing Rock Performance Hollingshaus Wade

philosophizing rock performance hollingshaus wade

These are the questions considered in Musical Works and Performances. Those who would like to read interesting, detailed, and revealing takes on the careers of three of the most important names in rock-and-roll history will not be disappointed by this book. Works for performance differ from ones that are merely for playback, and pieces for live rendition are unlike those for studio performance. This work is ideal for those in the fields of music history, performance studies, philosophy, American and European cultural and intellectual history, and critical theory. Bob Dylan, Jimi Hendrix, and David Bowie are among three of the most influential figures in twentieth-century popular music and culture, and innumerable scholars and biographers have explored the history of their influence. In brief, there is always some kind of logic underwriting these historiographies, drawing boundaries through and around our thinking. In Philosophizing Rock Performance, Hollingshaus draws on the work of these latter Continental thinkers to explore how we might otherwise think about Dylan, Hendrix, and Bowie.

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Philosophizing Rock Performance by Wade Hollingshaus (ebook)

philosophizing rock performance hollingshaus wade

Can recordings substitute faithfully for live performances? Philosophizing Rock Performance succeeds on a number of levels. Bob Dylan, Jimi Hendrix, and David Bowie are among three of the most influential figures in twentieth-century popular music and culture, and innumerable scholars and biographers have explored the history of their influence. Are they discovered or created? He teaches courses in literary and cultural theory, performance studies, and dramaturgy. Hollingshaus arranges his three analyses, first of Dylan, then of Hendrix, then of Bowie, by increasing levels of detail and by increasing levels of postulation. The identity of musical works goes beyond their sonic profile and depends on their music-historical context.

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eBook: Philosophizing Rock Performance von Wade Hollingshaus

philosophizing rock performance hollingshaus wade

Noting how Dylan, Hendrix, and Bowie first established their reputations amid the anti-establishment sentiments that emerged in Western counties during the 1960s and early 1970s, he connects them with the concurrent formative phase of Continental philosophy in the work of Giorgio Agamben, Jean-François Lyotard, Michel de Certeau, Jacques Rancière, Guy Debord, and Michel Foucault. Bob Dylan, Jimi Hendrix, and David Bowie are among three of the most influential figures in twentieth-century popular music and culture, and innumerable scholars and biographers have explored the history of their influence. Noting how Dylan, Hendrix, and Bowie first established their reputations amid the anti-establishment sentiments that emerged in Western counties during the 1960s and early 1970s, he connects them with the concurrent formative phase of Continental philosophy in the work of Giorgio Agamben, Jean-François Lyotard, Michel de Certeau, Jacques Rancière, Guy Debord, and Michel Foucault. He is the author of Philosophizing Rock Performance: Dylan, Hendrix, Bowie 2013 and is currently working on a new book project on Peter Gabriel and theatricality. Kimball believes that the counterculture transformed high culture as well as our everyday life in terms of attitudes toward self and country, sex and drugs, and manners and morality.

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Hollingshaus, Wade

philosophizing rock performance hollingshaus wade

All books are in clear copy here, and all files are secure so don't worry about it. Register a Free 1 month Trial Account. This work is ideal for those in the fields of music history, performance studies, philosophy, American and European cultural and intellectual history, and critical theory. Part One outlines the nature of musical works, their relation to performances, and their notational specification. This work is ideal for those in the fields of music history, performance studies, philosophy, American and European cultural and intellectual history, and critical theory. However, critical historiography reminds us that such scholarship is responsible not just for documenting history but also for producing it. His work has been published in Theatre Topics, Theatre Journal, Review: The Journal of Dramaturgy, Scandinavian Studies, and The Journal of Finnish Studies.

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