Stein Index Auteur Edited By Kathleen Loock and Constantine Verevis Texte du rabat A dynamic investigation of processes of cultural reproduction - remaking and remodelling - which considers a wide range of film adaptations, remakes and fan productions from various industrial, textual and critical perspectives. Reid 'Prince Arthur spotted exiting Buckingham Palace! How can the evolution of serial forms be understood within particular theoretical frameworks? Responsibility: edited by Kathleen Loock, Constantine Verevis. Machat You'll Never See this on the Silver Screen: The Film Trailer as a Template for the Appropriation and Transformation of Hollywood Movies; L. Screening the Past 30 2011. Georgi A Personal Matter: H Story; C. Their case studies discuss new versions of popular texts such as The Manchurian Candidate, Invasion of the Body Snatchers and The Stepford Wives. Too much energy has gone into debating which principles should govern the field and not enough into locating and debating principles of adaptation.
Kathleen Loock rekonstruiert, wie jüdische und italienische Einwanderer Kolumbus seit dem Ende des 19. The Politics of Adaptation: Media Convergence and Ideology. Trading exotic Yiddish names for Americanized versions or entering American educational institutions constitute acts of taking possession, and are, in fact, modern variants of Spanish practices of the fifteenth and sixteenth centuries. Rob King Duration: 4 weeks 2014 Visiting Scholar — Monash University Australia School of Media, Film, and Journalism; Sponsor: Prof. Loock, Kathleen, and Constantine Verevis, eds. Remaking The Manchurian Candidate in a Global Age; S.
The Janus-faced view extends to theoretical approaches to adaptation: as some scholars bring new theories e. Loock and Verevis have brought together a great mix of chapters. We are interested in questions relating to the production and reception of serial narratives in the past and present. Address: Freie Universität Berlin John F. Schweishelm -- The Return of the Pod People: Remaking Cultural Anxieties in Invasion of the Body Snatchers; K. These questions lie at the center of my research e.
Following this principle, the cultural status of a cinematographic adaptation ought to be determined by its fidelity to its literary source. Lili Hartwig, explores the variations of tone made possible by the remixing of a film, using typical genre indicators p. Kennedy Institute for North American Studies, Freie Universität Berlin, 20 December 2018. This chapter extends the idea that Michael Haneke's Funny Games is founded on the programmatic su. Georgi -- A Personal Matter: H Story; C.
How Do We Talk about Adaptation Studies Today? Hartwig Spoofin' Spidey - Rebooting the Bat: Immersive Story Worlds and the Narrative Complexities of Video Spoofs in the Era of the Superhero Blockbuster; D. Georgi A Personal Matter: H Story; C. Hartwig -- Spoofin' Spidey -- Rebooting the Bat: Immersive Story Worlds and the Narrative Complexities of Video Spoofs in the Era of the Superhero Blockbuster; D. Bruhn, Jørgen, Anne Gjelsvik, and Eirik Frisvold Hanssen, eds. Their case studies discuss new versions of popular texts such as The Manchurian Candidate, Invasion of the Body Snatchers and The Stepford Wives. Altogether 13 essays from leading and emerging scholars in the fields of film and media studies, literary studies, cultural history, ethnography and American studies address questions relating to the production and reception of serial narratives in the past and present.
My current research examines the cultural history of Hollywood remaking, from the transition to sound and its so-called talker remakes to the remakes, sequels, and prequels of the franchise era. Henry Jenkins May 2012 ; with Prof. Adaptations in the Sound Era, 1927-37. Potsdam: Institute for Advanced Sustainability Studies, 2016. While adaptations of canonical literature to film e. Each discipline subjects it to its own theories and methodologies, which are internally contested as well as contested across disciplines. Finally, Daniel Stein identifies video spoofs as metareflexive deconstructions enhancing the structural weaknesses of certain source materials p.
MacCabe, Colin, Kathleen Murray, and Rick Warner, eds. Schweishelm The Return of the Pod People: Remaking Cultural Anxieties in Invasion of the Body Snatchers; K. In that regard, serial narratives essentially promote themselves and the medium in which they appear, as consumers must continue to read, watch, or listen over extended periods of time if they want to gain access to the full story. Kelleter Guy Ritchie's Sherlock Bond, the Deerstalker, and Remediation; S. Kathleen Loock and Constantine Verevis. Wonder — a direct reaction to the first encounter with unknown places, people, and objects — is omnipresent in these texts and conveyed by various linguistic and narrative strategies.
The revivals discussed in this special issue include Twin Peaks: The Return Matt Hills , The X-Files Felix Brinker , Arrested Development Julia Leyda , Fuller House Kathleen Loock , and Gilmore Girls: A Year in the Life Ryan Lizardi. Works Cited Archer, Neil, and Andreea Weisl-Shaw, eds. Contenu Introduction: Remake Remodel; K. This article explores the rise of the Hollywood sequel in the 1970s and 1980s, analysing contemporary industrial and popular discourses surrounding the sequel, sequelisation, and film seriality. Georgi A Personal Matter: H Story; C. They provide new perspectives on the unlimited cultural production of classics like The Wizard of Oz, Wuthering Heights and The Adventures of Sherlock Holmes, and they analyze the groundbreaking work of fan appropriations, including Batman and Spiderman fanvids, and fanfic trailer revisions for The Shining and television's The Adventures of Merlin. Adaptation studies is fractured because it participates in so many disciplines, periods, cultures, and media.